Parte de GUT_BRAIN 1: Destructive Desires and Other Destinies of Excess, este programa de videos cortos de doce artistas explora los deseos destructivos y sus efectos: capitalismo extractivista, feminicidio, poblaciones remanentes, derechos laborales, los sueños caídos de la modernización, fisuras metabólicas, potencia de penetración, actos de soberanía corporal y rituales de curación, e incluye:

The Womb y Overhead Projection (Crowd) de Tala Madani; Madre Drone de Patricia Domínguez; Order and Progress de Laureana Toledo; Mexican War Fair de Miguel Ventura; Canned Laughter de Yoshua Okón; Gold Fever de Paloma Contreras Lomas; La Piñata de Teresa Serrano; Suspensión de Adrián Balseca; La sombra de Regina José Galindo; business as usual: hostile environment: a REMIX y from the forest to the concrete (to the forest) de Alberta Whittle; Snatchural History of Copper de Marisa Morán Jahn; Litte ja Goabddá de Ignacio Acosta.

Curada por Irmgard Emmelhainz y Christine Shaw.

Part of GUT_BRAIN 1: Destructive Desires and Other Destinies of Excess, this program of short videos by twelve artists explores Destructive Desires and their effects: extractivist capitalism, feminicide, remaindered populations, labour rights, the fallen dreams of modernization, metabolic rifts, penetrative potency, acts of bodily sovereignty, and healing rituals, and includes:

The Womb and Overhead Projection (Crowd) by Tala Madani; Madre Drone by Patricia Domínguez; Order and Progress by Laureana Toledo; Mexican War Fair by Miguel Ventura; Canned Laughter by Yoshua Okón; Gold Fever by Paloma Contreras Lomas; La Piñata by Teresa Serrano; Suspensión by Adrián Balseca; La sombra by Regina José Galindo; business as usual: hostile environment: a REMIX and from the forest to the concrete (to the forest) by Alberta Whittle; Snatchural History of Copper by Marisa Morán Jahn; Litte ja Goabddá by Ignacio Acosta.

Curated by Irmgard Emmelhainz and Christine Shaw.